a journey of awakening and finding positive ways of taking action to assist a world in environmental distress
and by architect and AIA Middle East president Raya Ani as
a timely and contemporary novel about love and care for the world—The Erenwine Agenda helps us understand how we might navigate from a place of non-communication to a place of resolution.
You guessed it, I’m running my last free book weekend starting tomorrow, Saturday July 1st, to Sunday July 2nd – after that we go to multi-outlet sales, including Barnes and Noble, Kobo, Apple, etcetera.
If you’d like to download two of my books for free, this is your last chance! I’m offering my love story about fracking, The Erenwine Agenda: a novel as well as my Reiki manual, entitled (very creatively!) Reiki: a manual. You can download now and read later.
Thanks everyone and please spread the word! I am hoping for oodles of positive review of both books on Goodreads and Amazon, especially in advance of the print editions which are coming out this fall.
I’m working on a new bio, inspired by Dan Blank. It’s taking shape…here it is:
I design, write and paint to reveal deeper connecting rivers of light that flow through our problems and carry us to solutions. I am interested in the weave of words, images and form as they fix our focus on what we think matters in any moment in time. My work is evolving now: as an architect, in a careful, climate-ready approach to renovating existing and historic buildings; as a writer, in crafting my second novel about creative states of consciousness; as an artist, in a series of paintings aimed at targeting the viewer’s attention to that which is eternal, and of upward motion.
I moved to New York on the strength of two months of dreams: every night the same dream. I was painting large, colorful, abstract images and everywhere I went, things worked out through the kindness of strangers. I took jobs in architecture, my “field” of study, and wrote about the environment, published a novel (my first, visionary eco-fiction). The abstract painting began after over a decade of living in the New York area, for me now expanded to New Jersey, after saying out loud over a game of Scrabble, “drawing for me is like breathing,” and realizing I had work to do in shifting from decades of pen sketching realistic spaces, to translating the essence of what I saw and felt of my meditative experience enhanced through my practice of Reiki. And so I began to paint, and the weave became richer, tighter and more compelling to me as a creator.
I knew I’d be a creator from a young age, and so becoming an architect was not a surprise. Limiting myself to architecture was not a possibility, since I see life too spherically to stay within the boundaries of one traditional discipline. My training in architecture (at the University of British Columbia, in Vancouver, Canada) and practice in historic restoration (in New York City) gave me a strong foundation (pun intended!) for understanding the fundamentals of form and function, and it was from that vantage point that I branched out into the more visionary aspects of translating experience into art. The work is both grounded and expansive.
I’ve always been a writer. First it came as small stories I wrote for myself, and poems, then articles, published, and poems, published. In the same way that my first novel was more globally about ecology and specifically about fracking, so is my second novel more broadly about creative states of consciousness and more specifically about medical marijuana. There is a third novel, in the ethers, which is generally about transportation, and specifically about high speed rail networks. All of these works are as seen through the lens of architecture, which for me is a focusing device using the skills and vantage point that come easily to me.
I’m lit up by talking about light and color and space, and by hearing what inspires others in their work. I adore teaching others, children in particular, about how to tap into that essence and to find an expression of it in built, sculptural, three-dimensional form. This began long before I had my own children, now entering their teenage years, and it has formed a colorful thread in the larger weave of my work. Sharing what I know at every step is part of my learning and my growth as an architect. As a creator. I continue to work the weave, to find new threads, in design, words and paint – and I am always excited to share that unfolding with people whose flow brings us together.
Tomorrow is the March for Science, coincident with Earth Day. I’ve been a fan of the “Every Day is Earth Day” mentality for a long time and so to recognize this particular Earth Day as unique, is a mindshift. It is unique. It is a day to focus on the direction we want to go.
To that end, I dialogued with multiple-award-winning eco-Interior Designer Tracey Stephens of Tracey Stephens Interior Design, Inc.: EcoSmart Kitchens & Baths about recent proposed cuts to the US federal government’s Energy Star program, operated by the Environmental Protection Agency, and the direction in which we might choose to go as a result of such cuts. Tracey’s passion about the March for Science and the overlap of our interests in green design spurred us to a dialogue about those proposed cuts around the corner for the EPA.
These are our back-and-forth questions and answers.
Maia: Tell me in a couple of sentences about your work.
Tracey: Using my 25 years of interior design experience, I help homeowners bring their vision to life by creating kitchens & bathrooms that reflect who they are and how they really live. From space planning to selecting cabinets, tile and other finishes, my goal is to turn the daunting task of renovation into a fun journey. And with my background in green design, my interiors make the planet happy, too.
Maia: What kinds of products do you specify?
Tracey: I specify both building materials such as non-toxic stone sealer, formaldehyde-free insulation, and LED lighting and finish materials such as cabinetry, appliances and tile. I find my clients are eager to choose healthy products that don’t harm the environment so my job is to stay informed and share with them what’s available. I refer my kitchen clients to appliance showrooms — the technology changes so frequently I rely on my network of experts to help them. People also really want to avoid adding to the landfills so I coordinate donations of items like old kitchen cabinets or bathroom sinks to places like Habitat For Humanity. If something is too worn or broken I use a construction debris recycling company that grinds up materials into either alternative wood fuel (lumber and paper) or road paving materials (toilets, tile, concrete).
Maia: How do you use ratings systems as a guide for making product recommendations to clients?
Tracey: Product information can be very technical and vetting very time consuming so I rely on ratings systems evaluations. I prefer 3rd party certification to guide my decisions on what to recommend for example Forest Stewardship Council to ensure that cabinetry lumber has been responsibly harvested and GreenGuard for indoor air quality. But I have not found FSC certified kitchen cabinets within my New Jersey 500 mile radius so I buy from companies who participate in the Environmental Stewardship Program of the Kitchen Cabinet Manufacturers Association (2nd party certification).
Maia: What do you think of the Energy Star rating system? How have you used it in the past?
Tracey: I’m a big fan of the Energy Star program. It’s an easy way for the average person to compare products while shopping. In a nod to the program’s popularity and recognition, many websites now have a search function that allows the buyer to select only Energy Star products.
Since its launch in 1991 starting with rating light bulbs, the voluntary program has grown to include office equipment, heating/cooling, audio/visual equipment, windows and appliances and even certification of buildings. Since 1992, the EPA reports that the Energy Star program has helped families and businesses save an impressive $430 billion on utility bills, while reducing greenhouse gas emissions by 2.7 billion metric tons.
Maia: What options do you see available instead of using the Energy Star system?
Tracey: If there is no independent rating system then the average consumer will have only the information from a company rating its own product which I do not feel confident about. Trade associations will likely step up with more 2nd party certifications. Consumers and designers will still want to know about the environmental impact of the products they’re buying.
Maia: How do you feel about the proposed elimination of the Energy Star system?
Tracey: Protecting the environment used to be a bi-partisan issue with wide support. The EPA was created under Republican President Richard Nixon in 1970. While not surprising considering Trump’s campaign rhetoric, it is infuriating to hear Budget Director Mulvaney say “We’re not spending money on [climate change] anymore. We consider that to be a waste of your money.” The Trump proposal to slash the EPA budget by 31% and eliminate 56 of its programs is short sighted. As part of the Climate Protection Program, the Energy Star program is on the chopping block, along with the Green Power Partnership (encouraging the use of renewable energy).
Fortunately there are many manufacturers, states and countries who have committed to sustainability regardless of which US administration is in power. For example, California will not roll back fuel economy standards.
Maia:What recommendations do you have for other designers in light of this proposed change?
For designers who care about sustainability, and honestly that should be all people everywhere, it is time to become an environmental activist.
If the federal government is going to roll back protections and programs we need to push our state governments to step up. I’m very hopeful about the state of New Jersey right now. An exciting new broad-based coalition of labor, faith, social justice, community and environmental organizations has launched Jersey Renews to urge our NJ elected officials to act now in support of climate justice, clean energy and good green jobs. And the People’s Climate March on April 29 in DC is going to be massive! We have at least 6 buses going for the day from Montclair. Click here to sign up to join a bus ride to Washington this weekend.
Maia: What recommendations do you have for legislators in light of this proposed change?
Maia: What could be an upside to this proposed change, that others might not have seen yet, and that you have a unique perspective on to share with other design professionals? What is your big picture scenario?
Since so many of us feel under attack, we are galvanized and energized to act.
Maia: There’s one last thing I would add to your big picture thinking scenario, and it comes directly from your website. It’s quote from Sufi poet Rumi, and I think if we step out with this attitude blazing forth, we will find a path to a new system, or way of thinking of these systems:
Walk out like someone suddenly born into color. Do it now. -Rumi
By now – especially if you already follow me on social media – you’ll have heard I have a book coming out.The Erenwine Agenda is about an intern architectural designer who takes on the natural gas industry. I’m pleased to share these early reviews of The Erenwine Agenda:
on the earth-healing perspective, a review from shaman Janet StraightArrow:
“The Erenwine Agenda is a modern work of fiction that addresses many of the issues that face our generations today. In the story of Amalia and Mark we move through many layers and perspectives of innocence, science, lifestyle, idealism, environmentalism, romance and realities in being conscious humans living now, and doing business with corporate interests. Fracking and natural gas are the major focus in how they affect us, as other concerns are addressed. Their story has a surprise ending and thought provoking situations and solutions. This book is a journey of awakening and finding positive ways of taking action to assist a world in environmental distress.”
on the multicultural and architectural perspectives, a review from architect and AIA Middle East President Raya Ani:
“A timely and contemporary novel about love and care for the world—The Erenwine Agenda helps us understand how we might navigate from a place of non-communication to a place of resolution. The primary characters, who are both of mixed ethnicity but of different cultural backgrounds, live a clashing breakdown of the polarities within themselves and in the environment around them. The story skillfully takes the reader from one event to another until Superstorm Sandy shocks the characters into redefining a new position in the world. The story feels very real as it puts us head on in conversation with ourselves, with the corporate structures that govern our lives, and by extension, with our idealism. The Erenwine Agenda crosses disciplines, crosses cultures, and crosses opposing viewpoints to arrive at a more compassionate and empathetic place.”
This is more about the book, and you can pre-order the Kindle version here:
Amalia Erenwine—an environmental activist working in New York City as an architectural intern—takes on the natural gas industry in this new book by Maia Kumari Gilman. Amalia rails against the underwriting of her employer’s work by a natural gas company involved with fracking. She clashes with the gas company’s petroleum geologist, executive Mark Stone—and yet, a hurricane of personal and continental proportions triggers the two of them to open their minds to a new world view.
Please share in advance of Earth Day! The more the merrier, as they say. Your kindness thus far in the development and sharing of this project is, quite frankly, amazing. I am both humbled and heartened by your support.
I’ve been figuring out how to share music with you, because music is important to me. It was a core influence in the writing ofThe Erenwine Agenda, which is not a book about music. It’s a book about design-thinking. And compassion.
The music carries the reader through the arc of design-thinking.
The music carries the reader through a journey of compassion.
Sound, in outdoor places—the hum of an all terrain vehicle, the whistle of birdcall—the sound of voices, carries the story.
It’s all music.
A phrase popped into my head upon waking this morning, one of those dream-state ideas. I wrote it down and googled it. It captures the essence of what I’m getting at here, even though I cannot find an exactly-perfect translation.
It’s something like:
flying high. Traveling fast. Tall travel; passing height. Tall passer; passing over, at a height.
And so, this phrase that came to me, will do by way of explanation. #altopassante
A couple of years ago I sat for coffee on Granville Island in Vancouver with a dear friend and we, David and I, discussed this very topic. David and I met as undergraduate students in a post-colonial literature class run by the English Department at the University of British Columbia and was taught by the very smart Aruna Srivastava. Neither David nor I was an English major: I was an Urban Geography student (before Architecture) and David studied Music.
Somewhere in years after that Commonwealth Lit class, those interests of literature, geography and music came together in my work.
This made coffee with David the perfect setup to stumble into a deeper awareness of my involvement with music in literature. David drew a further understanding out of my thought process and made the music make sense to me, at it relates to my own creative process of writing. And I’m thinking of him now as I write this post about waking up with “altopassante” on my mind, because even though he would say “you totally made up that word!” I know David gets the core concept of this flow between music and literature, because he taught it to me.
This is the music that takes characters to that “altopassante” place, that drives a story to a height and then drops, air-pressure-like, to indicate conflict; that rises again with that “altopassante” energy, to arrive us in a newer and clearer place.